Showing posts with label stryper. Show all posts
Showing posts with label stryper. Show all posts

Tuesday, February 26, 2013

STRYPER - SECOND COMING


Back in 1984 reading through a copy of Campus Life magazine I saw a photo and read a blurb about this new band from Southern California called Stryper. The article mentioned that their first release would be out later that summer on Enigma Records. The accompanying photo was in black and white so I wasn’t able to really see the Full Monte as far as their attire. I wondered what could they possibly sound like?

One day about four months later it came to my astute attention that the Yellow and Black Attack had been released two weeks earlier. After a cross town ten speed ride I found one copy of said 6 song EP at my local Record Factory (now defunct). Two things caught my attention (well actually three), first was that it appeared that the bottom part of the cover was trimmed off (a printing defect corrected in subsequent pressings), second the big thank you to Jesus Christ The Boss Man (wow maybe this was for real), third was their absolutely nuts yellow and black outfits!! Not too mention all that hair!

When I got home and spun the original six song EP I was completely blown away and proceeded to play it…. Over and over and over and over again… for just about anyone who would listen, Ad infinitum Ad nauseam! That just started a rather long love affair with Stryper, who weren’t always my favorite band but one I always would gravitate to.

With all that being said it now brings me to their latest release entitled The Second Coming. Lots of folks were very vocal about a new Stryper album, hoping for new stuff and then finding out that only two new tracks would be present. However 14 classic tunes would be re-recorded. 6 songs from To Hell With the Devil, 6 songs from Soldiers Under Command and 2 tracks from that original EP. (No Writing on the Wall from In God We Trust??)

If you’re not a fan of re-records then you might as well stop reading right now, because if done right I’m a HUGE fan! The Second Coming was done right!! The spirit of the originals have been captured without simply being a rehash. The quality of the performances is world class as we have come to expect from Stryper. Truthfully Michael has never sounded better, one of the defining voices in rock n roll today period. Oz has continued to show that he is an underrated talent on guitar, not to mention the contribution that Michael brings as well. One of the best one-two punches in heavy metal from the six string point of view.

On this album the drumming of Robert Sweet is amazing. He brings such a groove and meter, his style has blossomed and it shines throughout this album. He delivers that underlying energy which drives it all. However on The Second Coming we can say authoritatively that Tim Gaines bass guitar is present and delivers a lock in step with Robert. And in some instances without that bass guitar (Calling On You, Free) those new versions would fall.

The overall feel of this release is one of energy and punchy power. The guitars are more upfront than on the original recordings, and because of that the edge has increased rather dramatically. Just listen to Calling On You the guitars are stronger, Gaines bass guitar pushes things along and Robert’s drums smack of authority. Superior! (Alright I will admit I never was a big fan of the original, way too bubblegum for my tastes).

Throughout this release the biggest change is that Michael sings in a lower register, just listen to Reach Out for an example. Yeah it was weird the first time or two, but to accomidate a lower register (the guy isn’t 25 anymore.) However don't make the mistake that Mike can't cut loose anymore, that would be a mistake. The drums embellish a lot on this album, but to these ears that’s part of this releases charm.

Some of the song highlights include The Rock That Makes Me Roll, Soldiers Under Command, The Way, More Than a Man and To Hell With the Devil.

Don’t expect a simple rehash of what was on the original releases.  That would be boring. If anything this album has reminded me what was so exciting about Stryper to me in the first place; high energy music that glorified God and was top tier through out. It was music that I would not be ashamed to play for my friends.

Heck with all that said there are even two NEW songs! Bleeding From the Inside Out and Blackened, both of whom are fantastic bits of heavy rock whimsy.  Of the two I’ll take Blackened as my favorite, a much harder and faster tune. Bleeding From the Inside Out has more of a commercial vibe, but I’ve always been a bigger fan of Stryper’s heavier stuff.

The Second Coming is great album of melodic heavy metal. If you’ve never bought a Stryper album before than this might be the best place to start and if you’re already a fan then be prepared to remember why you loved them in the first place.

9 axes
 photo j0441300-1.png photo j0441300-1.png photo j0441300-1.png photo j0441300-1.png photo j0441300-1.png photo j0441300-1.png photo j0441300-1.png photo j0441300-1.png photo j0441300-1.png

Wednesday, February 2, 2011

STRYPER - THE COVERING


A new Stryper album is due out any minute. The Covering, the title of this latest offering of metallic hard rock is an assemblage of songs that were amongst the most important in the musical development of Mike, Robert, Oz and Tim. According to Mike this is the first album they’ve recorded with Tim since 1990’s Against the Law.

The songs are like a who’s who of classic hard rock and heavy metal acts of the 1970’s and early 1980’s. It would seem that this is an album that Stryper can really let their hair down and just flat out ROCK! Not having to write the material but just arrange and perform it, this album breathes with energy and vitality. The guys sound like they’re having a great time playing these songs.

Opening with a version of Sweet’s Set Me Free this horse is off to the races. The pedal is put to the floor and the nitro is kicked in; how can you listen to this song and not start the proverbial air guitar action???? UFO’s Lights Out is a tour de force of solid driving rock n roll, the influence on More Than a Man is not just passing. The guitar solos rip it up one side and down the other.

I’ve always enjoyed Deep Purple’s Highway Star, but this version is a tisch faster and Mike cuts loose like no one’s business. Why he hasn’t received more attention for his vocal ability in the metal community is a crying shame. Robert’s drumming propels this version and does Ian Paice proud. Kiss’s Shout It Out Loud locks a groove and the guitars take over. Tim delivers some choice bass work holding it under locked.

Black Sabbath’s Heaven and Hell, Ozzy’s Over the Mountain, Zeppelin’s Immigrant Song, Scorpions Blackout, Kansas’s Carry on Wayward Son, all shine with some great performances. Their version of Iron Maiden’s The Trooper was creative with the middle section solo, one of the few times they really expanded the original compositions and made it their own. Perhaps making a harmony out of Sabbath’s Heaven and Hell solo section would have been fitting, yet Oz’s solo is stellar regardless.

A few moments found me wanting particularly with a slower sounding version of Judas Priests Breaking the Law. At times I felt that the version of Blackout suffered a little from the tempo. Yet in contrast their version of Van Halen’s On Fire (perhaps my favorite song from their 1978 debut) ranks on par with the original. Passion, drive and power define this version, can I just keep hitting the replay button!

The overall sound of the album reminds me of a beefier and cleaner Soldiers Under Command. Great sounding tones are achieved and are given their opportunity to breathe and develop. No tight sounding compression that squashes the dynamics and leaves everything flattened. It sounds fantastic.

There is one new track. Entitled God, it does feature a heavy and haunting melody line. A powerful chorus which will prove to be a show stopper from Mike. The solo section is strong with a fantastic guitar harmony courtesy of Oz and Mike. If this is a preview of their next full length album of original material watch out.

Some may want to wallow in unfounded criticism of the ‘apparent lack of spiritual content.’ May I just say how ridiculous that is, the amount of festivals, celebrations and feasts given in Scripture are many. This album is about THE PARTY! THE CELEBRATION! And having some fun.

The Covering is an exceptional release of material that influenced Stryper before they were Stryper. If it wasn’t for this stuff there might not be a Stryper. Solid performances and production throughout, The Covering should be a solid addition to any Stryper fan’s collection. I wasn’t sure at first how I’d respond to this, but after five spins its double thumbs up from here.

8 axes

PhotobucketPhotobucketPhotobucketPhotobucketPhotobucketPhotobucketPhotobucketPhotobucket

Tuesday, September 22, 2009

STRYPER - MURDER BY PRIDE


Twenty five years ago Stryper released the now classic six song EP entitled the ‘Yellow and Black Attack’. A rather startled and astonished music community was taken aback by this foursome from Southern California. Large contingents of fans developed and have hung on through a lot of ups and downs.

Record label issues, Christian Pastor issues, Personal issues, Image issues, Christian Church issues, Air play issues ( I never heard them played in the San Francisco Bay Area EVER!), yet these guys have seemingly overcome the many obstacles placed in front of them. I can’t think of another artist other than Amy Grant to receive such ridicule and criticism from looks to sound of the music. Currently, their biggest obstacle, without a doubt; being the passing of Michael Sweet’s wife Kyle earlier this year from cancer. Time will tell how that will play itself out. My condolences go out to Mike and his family.

That brings us to Stryper’s current release ‘Murder by Pride’. After what many viewed as a disappointing comeback disc in 2005’s ‘Reborn’ left many wondering would Stryper ever put out an album as good as say ‘To Hell With The Devil’ or ‘Against The Law’? Well I’m not sure if this current disc will negate the nay sayers because even though there are many elements of what might be called the ‘classic’ Stryper sound, there are also many things that are not.

Being a life long Stryper fan (bought that EP in 84, but avoided the remix in 86 because that just didn’t cut it at all… thanks Cliffy for that re-master!) I really hoped for something that was just gonna flat out ROCK from beginning to end. Having said that there are many moments on ‘Murder by Pride’ where the Band shines.

The cover of Boston’s “Peace of Mind” simply cranks with ALL the Stryper elements, high energy music, guitar melodies, vocal harmonies and LOUD GUITARS! ‘4 Leaf Clover’ gets the job done as a nice hard rock number with a great chorus and it does sound like Stryper. It has a cool groove and the song feels like Stryper 2009.

Disc opener ‘Eclipse for the Son’ has a very modern rock vibe. The song itself is probably the fastest tune on the disc with a screaming guitar solo. However title track ‘Murder by Pride’ is a mid tempo rocker that initially reminded me of ‘Calling on You’ with a familiar sounding guitar harmony and tempo. Yet this song is a bit heavier than the aforementioned single from Stryper’s “To Hell With The Devil.” There are several other tunes that are pretty catchy and rock pretty well ‘Mercy over Blame’, “Alive” and “Everything” show that the band can still belt it out.

The re-recording of ‘My Love (I’ll Always Show)’ does seem a bit out of place, this song was written 25 years ago and appeared on the ‘Roxx Regime’ CD. There are several ballads/acoustic rock songs that don’t seem to really fit. It would seem they would’ve been more appropriate on a Michael Sweet solo album. It would’ve been nice to see some of the other guys contributing musically to the songs, but from what I can see Michael wrote all the material. I’m sure Oz has a few ditties he could’ve contributed. Oh well.

This album isn’t the home run I’d hoped for but enjoyable none the less. I can’t help wondering tho why does the Boston tune simply RIP and the other songs almost seem pedestrian by comparison. Just my opinion. Stryper fans should enjoy this album without reservation.

8 AXES PhotobucketPhotobucketPhotobucketPhotobucketPhotobucketPhotobucketPhotobucketPhotobucket