
At the time of the albums original release strong
comparisons to Queensryche were floating around the landscape. Listening to
this album in 2013 I’m not so sure all of those comparisons were valid. Yes
many of the elements are present, melodic intros and strong non traditional
arrangements (at least in comparison to most traditional heavy metal). Perhaps think of The Warning era of the Ryche catalog, I think they were much heavier than Ryche period.
However the one item that strikes me differently this time
is out is the vocal of Kevin Ayers. His delivery is much more raspy (like Les
Carlson) than Geoff Tate. Yes he touches the stratosphere on such tracks as
Below the Grave and Escape, and his range is there however it’s not as ‘clean’
as say Ray Parra. However this is part of what brings Haven to life for me, I
love music that could or should be clean but the raw edges are left intact.
Fans of traditional metal will find quite a bit to chew on
here. Whether it’s the driving Help Me Follow, the clutch and brake of On
Judgement Day or the pure mayhem of the high octane title track this album
packs a wallop. My personal favorite is the aforementioned Bellow the Grave. Ayers
let it rip and the riff is a chugging piece of metallic brilliance.
The remastering brought on by our favorite mastering artist
J Powell at Steinhaus once again delivers the goods. You won’t hear harsh
frequencies but rich and defined bass and some soaring clarity amongst the
middle and higher end frequencies.
A quality four panel layout digipack brings this package
together quite nicely. Retroactive hit another gem and brings it all together.
Haven’s Your Dying Day is a must have if you don’t already
own it. Be reminded of when the name of Jesus was brought to the forefront and
not hidden under a bushel. A pile driver of a metal album well worth your time
and consideration.
9 axes
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